Death Wore White - Jim Kelly

Death Wore White

1

Monday, 9 February

The Alfa Romeo ran a lipstick-red smear across a sepia landscape. Snow flecked the sands at the edge of the crimped waters of the Wash. To the landward side lay the saltmarsh, a weave of winter white around stretches of cold black water. And out at sea a convoy of six small boats were caught in a stunning smudge of purple and gold where the sun was setting.

The sports car nudged the speed limit as Sarah Baker-Sibley watched the first flake of snow fall on the windscreen. She swept it aside with a single swish of the wipers and punched the lighter into the dashboard, her lips counting to ten, a cigarette held ready between her teeth.

Ten seconds. She thrummed her fingers on the leather-bound steering wheel.

It was two minutes short of five o’clock and the Alfa’s headlights were waking up the catseyes. She pulled the lighter free of its holder. The ringlet of heated wire seemed to lift her mood and she laughed to herself, drawing in the nicotine.

A spirograph of ice had encroached on the windscreen, so she turned the heating up to maximum. The indicator showed the outside temperature at o°C, then briefly – 1°C. She dropped her speed to 50 mph and checked the rear-view mirror for following traffic: she’d been overtaken once – the vehicle was still ahead of her by half a mile – and there were lights behind, but closer, a hundred yards or less.

She swished more snowflakes off the windscreen. Attached to the dashboard by a sucker was a little picture frame holding a snapshot of a girl with hair down to her waist, wearing a swimsuit on a sun-drenched beach. She touched the image as if it were an icon.

Rounding a sharp right bend she saw tail lights ahead again for a few seconds. And a sign, luminous, regulation black on yellow, in the middle of the carriageway, an AA insignia in the top left corner.

DIVERSION

Flood

An arrow pointed bluntly to the left — seaward down a narrow unmetalled road.

‘Sod it.’ She hit the steering wheel with the heel of her palm. Slowing the Alfa, she looked at her watch: 5.01 p.m. She had to pick her daughter up at 5.30 outside the school. She was always there, like clockwork. That was one of the big pluses of owning her own business: she kept her own time. And that’s why she always took the old coast road, not the new dual carriageway, because this way there were never any traffic jams, even in the summer. Just an open road. Once, perhaps twice, she’d got caught up at the shop and phoned ahead to say she’d be late. Jillie had walked home then, but Sarah didn’t want to let her down. Not tonight, when snow was forecast. She’d make it in time, even with the diversion, as long as nothing else delayed her.

Looking in the rear-view again she saw that the following car was close, so she put the Alfa in first and swung it off the coast road onto the snow-covered track. The headlights raked the trees as she turned the car, but she failed to see that they fleetingly lit a figure, stock-still, dressed in a full-length dark coat flecked with snow, the head – hooded – turned away. But she did see a road sign.

As posted at - http://us.macmillan.com/BookCustomPage.aspx?isbn=9780312570811#Excerpt

The murder is a classic locked room mystery, only this one happens in a snow-bound car, trapped at the head of a column of other similarly trapped cars. How the murder was committed and by whom is the crux of the book and the plot is handled competently by Kelly. There are several suspects, each with motives of varying degrees. There are more bodies too - one washed up on the shore near the stranded cars and one found on a sandbank by some cockle-pickers.


Book runs smoothly and locks the reader. The description is intense and it gets the reader to the scene and one can not stop visualizing reading the pages. One thing that interrupts the readership is that scenes are dragged at some parts and hits the fluency and interest of reading.


Overall it is a worth read and pick.